A blog that is following a documentary in production about international artist Thomas Hart Sayre, whose massive concrete sculptures are created from molds dug in the earth and raised by crane to stand boldly against the sky. The film is being produced by Minnow Media in association with the Southern Documentary Fund. Please visit http://earthcasterdoc.net

In May, the Earthcaster film crew traveled with Thomas Sayre back to Lenoir, NC, where our documentary work began. Thomas was in town for the opening of an exhibition of his recent works at the Caldwell County Arts Council.

In the top photo, Thomas revisits the sculpture he built two years ago in downtown Lenoir. In the middle photo, Thomas revisits the land on the First Broad River in the North Carolina foothills where he lived in his 20s. He built the house in the background (now with an addition), and he stands before a very early sculpture entitled “Peace.”

Below, Sayre receives an honorary doctorate from NC State University from Chanellor Larry Woodson. May was a busy month!

Our documentary work continues in June as Minnow Media follows the development and creation of a new sculpture in Baltimore, MD on the University of Maryland Baltimore Campus. We expect to begin editing the film in October for an early 2015 release.

Posted at 11:17am and tagged with: Thomas Sayre, Earthcaster,.

Thomas Sayre and Minnow Media are in Portland today, November 20 as the first sculpture is lifted on site at what will become the Johnson Creek station.   The images are updated every 10 minutes! This is an important part of our documentary. Click on the link above to watch the progress!

Posted at 3:05pm.

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Some 75 guests gathered in Raleigh at Clearscapes on October 13 to see an exhibition of nearly 40 new works by Thomas Sayre and to preview a 10-minute montage of scenes from the EARTHCASTER documentary.  Hosted by Linda Carlisle and Jim Goodmon, the party netted some $40,000 for the film.  A few remaining pieces in the show are still available for a fixed price and can be previewed by clicking on THIS LINK

Thanks to Scratch Bakery of Durham, Mediterranean Deli of Chapel Hill, and our exceptionally generous friends at Full Circle Seafood of Columbia, NC for the delectable array of finger food.

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Top photo, L-R Bob and Carol Bilbro, Feather Phillips, Robert Griffin, Marlene True, Thomas Sayre, Miriam and Bruce Sauls, Mary Regan and Mark Hewitt.

Jim Goodmon and Rich Leonard.

Rachel Raney of the Southern Documentary Fund alongside greeters Nancy and Linda Tom.

Jane Wettach, Paul Baldasare and Mark Hewitt.

Carolyn and Sandy Stidham and their painting.

Lynn York with the artist, Thomas Sayre.

Bo Thorp and Thomas Sayre.

Watching the documentary preview.

Earthcast wall hangings still available for purchase. See http://earthcasterdoc.net/CATALOG

Posted at 10:06am.

Shooting video with Thomas Sayre at Washington National Cathedral

At the end of March, the Minnow Media crew accompanied Thomas Sayre to Washington, DC, where he was raised as the son of the dean of Washington National Cathedral. Thomas learned about architecture, stone carving, and the physics of gothic construction as the building was taking shape in the 1950s and 60s on the highest hill in Washington. Please click on photos to see the full slide show with larger pictures and descriptive captions.

Posted at 12:31pm.

Thomas Sayre’s earthcasting “Terroir” is in the private collection of Eliza Kraft Olander. The documentary producers visited with Ms. Olander on March 12 and recorded the story of how this massive sculpture was pulled from the earth several years ago. “At night,” Olander says, “the piece is lit from the ground, and I see the figures of a man and a woman standing close to one another, but other people see other things in this work. That is the beauty of Thomas Sayre’s sculpture.”

For more information on the documentary, Earthcaster: The Life and Work of Thomas Sayre, visit http://earthcasterdoc.net.  The feature length film is in production and is scheduled for release in 2014 by Minnow Media.

Posted at 11:08am.

Top: Lucy Daniels and Thomas Sayre being recorded by videographer Cornel Campbell for Earthcaster: The Life and Work of Thomas Sayre, a documentary in production by Minnow Media and scheduled for release in 2014.

Bottom photo: Lucy and Thomas discuss the terrazzo ball he made that sits in the lobby of Daniels’ Raleigh office. Photos by producer, Donna Campbell.

See http://earthcasterdoc.net

Posted at 10:57am.

Clinical psychologist, novelist, and art collector Lucy Daniels shares a common background with sculptor Thomas Sayre. As a child she also lived in the shadow of the Washington National Cathedral some years before Thomas Sayre’s father became dean of the monument. Lucy’s father Jonathan Daniels was press secretary to FDR during World War II and Lucy walked through the Cathedral grounds to get to elementary school every week day during that era. In another connection, Lucy’s grandfather, Josephus Daniels, had been secretary of the Navy under President Woodrow Wilson, who was Thomas Sayre’s great-grandfather. 

Decades later Lucy and Thomas met in Raleigh as Thomas was building his portfolio and Lucy was studying the lives of unusually creative men and women through the work of the Lucy Daniels Foundation. Thomas also served for a time as board chair of The Lucy Daniels Center for Early Childhood Education, a school that is dedicated to helping children live emotionally healthy lives. Several pieces of Sayre’s artwork sit in the foyer/gallery of Daniels’ private practice headquarters, on the grounds of the Center, and in Lucy’s home. She often uses the artwork as a metaphor to launch conversations with new patients about the process of therapy.

It seemed only natural to bring these friends together for a sit-down conversation about their shared past as the children of high profile families and as artists who ultimately found their own distinctive expression and identity through highly creative work. The discussion was lively, provocative, and will be a critical part of the Earthcaster documentary.

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Our documentary team headed west last week to witness the brand new installation of Sayre sculpture in a former site of industrial blight in Chattanooga. We were warmly welcomed by the progressive and civic-minded leadership of this city.

Shooting in Chattanooga

On a bright January morning in downtown Chattanooga, some 200 citizens and more than two dozen public officials gather on a narrow tract of land that long ago dissolved into industrial blight. But on this day, the community is set to dedicate a brand new public art installation by international sculptor Thomas Sayre.

“Main Terrain” is the central feature of what the city is now proudly billing as an “urban art and fitness park.” Sayre’s nine sculptural elements stretch the length of a city block, forming a visual arc that was inspired by Chattanooga’s historic Walnut Street bridge. Built in 1890, it became the first non-military highway bridge built across the Tennessee River, and is now a haven for pedestrian sightseers, cyclists, skaters, and runners.  In fact, Sayre, a wiry athlete in his early 60s, was in the midst of a brisk stroll on the Walnut Bridge when the call came from town officials saying he’d been selected from a large pool of world-class artists to design the art park.

Three of the bridge-like elements in Sayre’s new installation are set 25 feet above ground, centered on pedestals fashioned by a local concrete firm. The iron sections will rotate if passersby step across the grass to apply some serious muscle to a ship-sized wheel jutting from the concrete pilings. This is art that actually burns calories.

An oval track encircles the grassy park and is already in use this morning by fitness enthusiasts and young mothers pushing strollers, waiting for the ceremonies to begin. By turns they crane their necks to study the welded spans against the azure sky and then they drop their eyes to read ancient and contemporary lines of Japanese haiku that Sayre has inlaid in terrazzo every 50 meters along the walk. Five adult fitness stations are also set around the oval–chin up bars, swinging rings, a climbing wall, and parallel bars, all made by PlayCore, a Chattanooga-based company known for its innovative recreational designs.

As if it were not enough that this repurposed land links a city icon with seductive opportunities for exercise, green space, and nimble lines of poetry, the whole project also functions as a storm water management system.  A complex network of drains engineered by the city will provide supplemental irrigation to the landscapers’ on-site plantings of ornamental grass, shrubs, and trees, while also holding back some 1.5 million gallons of rainwater from entering Chattanooga’s sewer system each year.

Welcome to the world of Thomas Sayre, whose work blends physics and aesthetics, speaks to past and future, marries the natural and manmade, and ultimately transforms the view and the viewer by reframing discreet spaces.  

Posted at 3:16pm.

A Reverie of Sculpture

On January 21st, 2013, the documentary crew visited the farm where Thomas Sayre’s earthcasting techniques have been tested and refined in advance of many of his largest installations. Thanks to the generosity of Alan and Marty Finkel, an unprecedented number of Sayre’s works are collected in this rolling landscape that fronts the Tar River. Here the magic of Sayre’s art is working every minute through the play of light and the changing seasons. “River Reels”  sit on an elevated spot that feels ceremonial, sacred, primitive, recalling Native American burial sites across the south and southwest. One of the first and largest pieces on the Finkels’ land, called “Tar Krater”  provides a summer home to nesting insects. In winter it sits in a manicured meadow amid bare trees that share its hue. The rounded shape serves as a well cover with a highly polished terrazzo finish.  These garden sculptures are part of a private collection in North Carolina.  Video producers Donna Campbell and Georgann Eubanks took these shots in January 2013.

Posted at 11:27am.

Here is the video of Thomas Sayre’s talk at Creative Mornings at the Contemporary Museum of Art in Raleigh.  For more Creative Mornings talks from around the world, see http://creativemornings.com

Posted at 11:02am.

Thomas Sayre was the guest speaker last Friday at a Raleigh event hosted by CAM (Contemporary Art Museum) and called Creative Mornings.  Much like TED talks but focusing on what it means to be a creative person, these breakfast sessions are hosted around the world.  See www.creativemornings.com.The video of the event is poasted here and at the Creative Mornings site. We (Minnow Media) were there to record the session for the EARTHCASTER documentary as well.

Thomas debunked the myth of artists as special people “touched with a voltage that the rest of us cannot take,” as he put it.  Dozens of collaborators are key to Sayre’s earthcasting process–backhoe drivers, crane operators, cement mixers, structural engineers, and people who know how to wield a simple shovel. “Creativity lives in pockets inside all of us,” Sayre said, noting that every mark these professionals make in the construction process “becomes part of the art.”

To create his monumental earthcastings, Sayre sometimes calls upon swimming pool makers to help cast shallow shapes in the dug earth.  After the initial skepticism wears off, these experts from a wholly different line of work begin to understand that once the concrete form Sayre has designed is set in the ground, “We’re going to pick it up, not swim in it,” he said. The audience laughed.

Sayre also pointed out that his art is dependent on more than human hands. “When the sun rakes across this thing,” he explained,  “its impact in that moment is determined by the seasons and the angle of light, the color of the sky, the shape of clouds. The finished product belongs to all who helped to build it and all who witness it.”

Posted at 10:59am.